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The Way - First Album/Can It Be? download album

The Way  - First Album/Can It Be? download album
Performer:
Album:
First Album/Can It Be?
Style:
Folk Rock, Soft Rock, Country, Gospel
FLAC vers. size:
1638 mb
MP3 vers. size:
1740 mb
WMA vers. size:
1431 mb
Other formats
MMF AHX FLAC WMA AAC XM DTS
Rating:
4.1 ★
Votes:
890

Elvis: That's the Way It Is is the soundtrack album by American singer and musician Elvis Presley from the 1970 documentary of the same name. It was released on November 11, 1970, by RCA Victor. The album consists of eight studio tracks recorded at RCA Studio B in Nashville, and four live tracks recorded at the International Hotel in Las Vegas. The album peaked at No. 21 on the Billboard 200 and at No. 8 on the Billboard Top Country Albums chart

Make no mistake, the album is fighting for its life. Sales of music’s most beloved format are in free fall in the United States this year. According to figures published by the RIAA (Recording Industry Association of America), the value of total stateside album sales in the first half of 2018 (across download, CD and vinyl) plummeted by 2. % when compared with the first half of 2017. If that percentage decline holds for the full year, and there’s every indication it will, annual .

America (The Way I See It) - Original Classic Hits, Vo. 8 Hank Williams, Jr. Country. Listen on Apple Music. A Country Boy Can Survive. Hank Williams Jr. 4:16. 3:18.

A diamond-selling double-album that won both the Album of the Year Grammy and the Pazz & Jop critics poll, and boasts one of the most popular songs of all-tim. ut does anyone actually still listen to it? OutKast empirically proved they were more than the sum of their parts by segregating the contributions of Big Boi and Andre 3000 to their own discs, and while the results were rapturously received at the time, S/TLB’s rep sags farther every year since, as fans realize how critical the balance and interplay the duo provided one another was to their overall. Appropriate to its appellation, The Dixie Chicks’ major-label debut - and first album with the fiery Natalie Maines at the forefront - sounds like the universe opening up to the trio’s expansive brand of tinderbox country. A staggering amount of the next 40 years of rock music can be traced back here in some way.

Album cover art is often the first step toward that album's reception - good or bad - and we often associate the sound with the visual. There's the Beatles' iconic White album The Beatles, famous for having nothing on the cover; Carly Simon's sensual black and white Playing Possum; and the Sex Pistol's bold yellow and pink Never Mind the Bollocks cover. But in the digital age, album covers are beginning to mean less and less. They are no longer 12 inch by 12 inch slim sleeves of cardboard that can be pulled off a shelf to be admired. They aren't even 4 inch by 4 inch inserts slipped into plastic CD cases. The digital age has changed the way album covers are created, designed, and thought abou. ut that's not necessarily a bad thing.

One's on the Way is the eighteenth studio album by American country music singer-songwriter Loretta Lynn. It was released on March 20, 1972, by Decca Records. 3 on the US Billboard Hot Country LP’s chart and No. 109 on the US Billboard Top LP’s chart. The album's only single, "One's on the Way", peaked at No. 1 on the US Billboard Hot Country Singles chart and spent two weeks there.

Another White Album-style scenario, with the songwriters in the band working alone in separate studios, enlisting each other to serve as a de facto backup band, was bound to fail. Too much good will and trust had been lost. It was an awful idea. First, no one was sure exactly what he was supposed to be doing. Glyn Johns was there, a new presence behind the boards, but he never quite figured out if he was producing or just engineering. Regular producer George Martin was technically on board, but his participation was minimal

First issued on 26th September, 1969 Abbey Road was the final Beatles album to be recorded but not their last to be released. Let It Be, though mainly recorded in January, 1969 was finally released in May, 1970 alongside the film of the same name. Following the 'live' nature of the "Let It Be" recordings, for Abbey Road, The Beatles returned to the North London studios to create carefully crafted recordings with ambitious musical arrangements

The First 20 Hits for Christmas in 1992, and every track is amazing. A few months later, I asked for their album The Circus for my 12th birthday, and was a bit disappointed – it lulled in a way Pop! never did. And remember, for instance, that albums by scores of 60s bands tended to be the three hit singles plus a load of filler; there's no other satisfactory full-length record than their greatest hits. With Motown acts, especially, compilations are almost always perfect, while "official" albums are often flawed). Properly done, they can be a time capsule, preserving a band as they would want to be remembered. What would you prefer buried in a time capsule under the Blue Peter garden? Nine Rolling Stones albums, including Their Satanic Majesties Request and a lot of covers, or Hot Rocks 1964-1971?

Tracklist Hide Credits

1 Son Come Out
Acoustic Guitar [1st Acoustic Guitar, Acoustic Guitar Lead], Lead Vocals – Dana AngleAcoustic Guitar [2nd Acoustic Guitar], Backing Vocals – Gary ArthurBacking Vocals – Bruce HerringBass – John WickhamCongas – Alex MacDougallWritten-By – Dana Angle
3:58
2 You're Caught In A World
Bass, Backing Vocals – Gary ArthurDrums – Alex MacDougallElectric Guitar [1st Electric Guitar], Electric Piano – John WickhamElectric Guitar [2nd Electric Guitar], Lead Guitar, Backing Vocals – Dana AngleLead Vocals – Bruce HerringWritten-By – Dana Angle, John Wickham
4:10
3 Song Of Joy
Acoustic Guitar, Bass, Lead Vocals, Backing Vocals – Dana AngleDrums – Alex MacDougallLead Guitar [Electric] – John WickhamLead Vocals, Backing Vocals – Bruce HerringPiano, Backing Vocals – Gary ArthurWritten-By – Dana Angle, Gary Arthur
3:30
4 Come On Down
Acoustic Guitar [1st Acoustic Guitar], Percussion [Marbles], Lead Vocals – Gary ArthurAcoustic Guitar [2nd Acoustic Guitar], Lead Guitar [Electric], Backing Vocals – Dana AngleBacking Vocals – Bruce HerringBass – John WickhamCabasa – Alex MacDougallWritten-By – Dana Angle, Gary Arthur
3:45
5 Closer To God
Acoustic Guitar [1st Acoustic Guitar, Guitar Harmonics], Lead Vocals – Gary ArthurAcoustic Guitar [2nd Acoustic Guitar, Guitar Harmonics], Backing Vocals – Dana AngleBass, Backing Vocals – Bruce HerringElectric Guitar – John WickhamWritten-By – Gary Arthur
4:43
6 New Song
Acoustic Guitar, Lead Vocals – Bruce HerringBass, Backing Vocals – Gary ArthurDrums – Alex MacDougallElectric Guitar [1st Electric Guitar], Backing Vocals – Dana AngleElectric Guitar [2nd Electric Guitar] – John WickhamWritten-By – Bruce Herring
3:45
7 There's A Love
Acoustic Guitar, Percussion, Backing Vocals – Dana AngleBass, Percussion, Backing Vocals – Gary ArthurCongas, Percussion – Alex MacDougallPercussion – John WickhamPercussion, Lead Vocals – Bruce HerringWritten-By – Dana Angle
2:44
8 He's The Reason To Go On
Acoustic Guitar, Lead Vocals – Bruce HerringBacking Vocals – Gary ArthurBass, Backing Vocals – Dana AngleDrums – Alex MacDougallElectric Guitar – John WickhamWritten-By – Bruce Herring
2:56
9 Harvest Time
Acoustic Guitar [1st Acoustic Guitar], Lead Vocals, Backing Vocals – Bruce HerringBacking Vocals – Gary ArthurBass – John WickhamDrums – Alex MacDougallElectric Guitar, Lead Vocals, Backing Vocals – Dana AnglePiano – Tom StipeWritten-By – Bruce Herring, Dana Angle
4:42
10 Are You Listening?
Acoustic Guitar [1st Acoustic Guitar, Guitar Harmonics], Lead Vocals – Dana AngleAcoustic Guitar [2nd Acoustic Guitar, Guitar Harmonics], Backing Vocals – Gary ArthurBacking Vocals – Bruce HerringBass – John WickhamWritten-By – Dana Angle
3:32
11 A Cowboy's Dream
12 Days Of Noah
13 I've Been Sealed
14 Do You Feel The Change
15 Livin' On The Bottle
16 Sittin' In The Pew
17 Bearded Young Man
18 Can It Be

Companies, etc.

  • Recorded At – Buddy King Studios, Huntington Beach, CA
  • Recorded At – Mama Jo's
  • Remixed At – Mama Jo's

Credits

  • Artwork By – Neal Buchanan
  • Artwork By [Caly Sculptures Front Cover] – Trace Guthrie
  • Design – Gary Arthur
  • Engineer – Buck Herring, Buddy King
  • Photography – Woody Blackburn
  • Producer – The Way
  • Remix – Chuck Johnson